Monday, 4 May 2026

Protect yourself, there are people

 


Protect yourself, there are people

There is a she wolf howling at the moon.
Howling at anything looking like the moon.
In her teeth she's tossing about the body.
Tearing insides from out of the body.
Jolting the body into motion.
It doesn't matter who's blood she's drawing,
Doesn't matter the black crow cawing.
Instinct and wolf spit only.

I can smoke pensively, if it helps you.

There is a soul worn thread thin.
Tattered knot bloodshot insane bone saw.
Bone instrument.
In it for the love of the game, not the win.
Litheness stiffened and voice rottened long ago.
It's a snake wearing my skin.
Forcing reanimation.
Jolting the body into ritual.
I lurch and I growl.
Instinct and wolf spit only.

I can do more or less, if it helps you.

I want to lay perfectly still, flat as moonlight.
I want the impression in flesh from fallen pines.
I want damp dirt squeezed between my fingers.
I want the slick storm to pass over, nothing to
Jolt my body into earthly communion.
I want to hoist my flag in omnipotent surrenders.
But it's not unstained, barely white now.
Instinct and wolf spit only.





Thursday, 2 April 2026

After the minute's silence comes the encore


 

This is... After the minute's silence comes the encore


When I was young I struggled to express my fate.
Well, today my insides are still out of tune to
articulate
Just how I'm feeling about it.
Nothing gets in or out.

Zeus smoked a large cigar
at my rocking cradle
He gifted me an iron key.
It unlocks all meaning but won't fit a safe answer.
A fable
but I see:
A sky above that will never be 
the same again.
A sky up there and that won't ever change.
I am a universe: no more, no less what I can contain.
At times I do feel new, I confess.
I can't help what I'm feeling all this particular evening.
It's in my DNA to believe in souls and black holes and 
Shooters on grassy knolls.

This is something to break the minute's silence.
Like a thunder storm is something to break the minute's silence.
Like my confession is something to break the minute's silence.
The silence will always be here.
The breaks will always be here.
Nothing is lost, nothing is gained.
You and me and every songbird forever the breaking silence.


Monday, 30 March 2026

Mendicine




To me - and what I tried to do - in this poem is write exactly what my teenage self would have wanted to write. It has all that teenage cool hormonal angst I had to it. It feels confessional, which I wanted. It feels like it is trying to break out of as yet undeveloped way of expressing something, anything. And that came easy as I still struggle to articulate. It's a poem that wishes it could be better, but realises it maybe just needs to be there at all.

It has that grunge to it.

This is... Mendicine


My timing's slightly off.
Plead with a squall:
A little more time over there.
Voice cracks into a beg:
A little less time over here.
Not grief enough for the living.
Comfort myself by consoling the dead.
I'm sickly when I'm sweet.

Watching myself pass right on by me.
Are my convictions based on muscle memory?
A conscientious voice on a whim
I'm no longer
Invested in?
Don't conflate politeness for my acceptances.
Take another bitter pill.
Take another happy pill.
Take another pill
to stop being ill.

Watching my language whenever I can.
"A sensitive boy" is some euphemism to a man.
Well you know I perfectly am.
Sensitive to motherfuckers
Spending beautiful days.
Sensitive superpower at locating our differences.
Take another calming pill.
Take another caffeine pill.
Take another pill
to stop being ill.

Waiting for the mendicine to kick in.

Watching the needle of the record player.
Played B side so much its flipped the A side grooves over.
Spinning reasons to be beside the living.
Some are bloody minded.
Some are forgiving.
Sometimes the bride, sometimes monstrosity.
Take another patchwork pill.
Take another tailormade pill.
Take another pill
To stop being ill.

Watching the surrounding walls closing in.
Knowing they are paper dry and just as paper thin.
I pretend in the room when I said
That the walls are built
of solid lead.
To stop them stopping me torching them with flamethrowers.
Take another paranoia pill.
Take another mind expanding pill.
Take another pill
to stop being ill.

Watching corkscrew chain reactions spiral.
In a fuzzy summer afternoon suburban smog roll.
I threw them out like sickly sweets.
Don't think I don't hear these
Under floorboard heartbeats.
Hands shielding eyes from the blinding flash of consequences.
Take another ten dreams per hour pill.
Take another anti-nightmare pill.
Take another pill
to stop being ill.

Take another pill to get down.
Take another pill to swallow.
Take another pill to endure the collateral. 
Take another pill to be unconditional.
Who made whom; it doesn't matter at all
We won't always be able to
touch the way we want to.
Take another pill to numb all the pain.
Take another pill to feel it all again.
Take another pill to be unreliable
narrators.
Take another pill to be uncompromisingly
put on this earth for.
Take another pill
To be what we always will be
To the other.

I don't need to take another pill.
I don't mind being ill.
It's not the getting better but the scarring.
It's not about the healing but the mending.
Not a rapier blade, but a hickory bow bending.
I hear the sound of arrows whistling.
It's the sound of the mendicine kicking in.






Friday, 27 February 2026

Long Jolly Crossbones

 
This is... 
Long Jolly Crossbones

Breaking light over flowing on your high seas.
Playful shines upon them quick silver.
And you told me this was treasure.

Under colours hoisted into vaulted skies.
We hanged our enemies to the yardarm.
And you told me this was freedom.

A crow's nest sighting of the world's edge.
The old charts declared: "bad omen!"
And you told me this was living.

So you set course by canon grey clouds.
And sashay between opium puffs.
And you told me this was the true compass.

And I sailed on your high seas!
Felt your body writhe in swelling waves.
And I sailed on your high seas!
You held me with a thousand fathoms.
And you told me this is ritual.

We floated on backs out in the vast and formless maths.
In the iron caldron, huge shadows in torus stirred the depths.
In celestial constellations we saw the sublime.
In Northern Lights saw their minds spill out.
And it was then we made up our minds nothing was Divine.
And I wished upon every shooting star I saw
I'd never feel earth beneath me anymore.
The bite was a natural good. The calluses came 
From holding tight.
The sea sickness was plenty. But the sickness thrilled me.
But all voyages discover shores eventually.
Even when sailing in your high seas.
I said, we are organisms in an organism world
Everything just a conceptual design
Of yours and mine.
We go where the wild wind picks up sails we unfurled.

You told me:
"You wish an undertow will carry you far
Where the only lines left are the straight horizon
And sparkling  tail of a shooting star.
To hold faster yet in a sweeping perfect maelstrom. It breaks
Down, the din, upon you and you push back with all your might.
Like beauty, it will pass by.
Know this:
The most enduring ships are wrecks.
Throw the jetsam, throw the flotsam.
Let them
wash up on someone's heart.
The ocean can be mistress or lover,
Distress or comforter.
It can reflect or refract.
Tentacles sometimes pull wishbones apart.
Spirits sometimes run aground on humanity.
Shipmates sometimes shift into mutiny.
Springboards sometimes are just short planks for longing.
A bow clipping through water can be clipped wings
in fallen tears from a crying shame.
Winds on the tundra can sound like confessional howls,
or the sound of prayer.
And, again, I see you walking on water,
Only the first time I didn't see your ankles wet.
And sea green meadows are green from algae,
Choke-hold with weeds and overgrown ivy.
Nothing matters: Not any ship,
Not the opera singing siren. Not the 
the jagged reef."

And you told me
You knew the melting point of portraits.
And you told me
The length of chain doesn't make it easier to break.
And you told me
This sea chest is full of pulled out gold teeth.

You marooned me.
Left me an X on your map.
What a cruel thing.
Left me lost though left me exactly where I am.
Cast adrift on an island of tidal sands.
And I've named each grain you.
And I look out
At your high seas.
Rolling in an out like your breath.




Thursday, 22 January 2026

A monkey on an expedition to circumnavigate the face of God

 


This is only a mood piece.

This is...

A monkey on an expedition to circumnavigate the face of God


You hurt me just the right amount.
Set me up just as a body count.
Surround me in ways so few ever do.
By a Japanese master's brush strokes.
My spine is a needle and its being threaded through the canvas.
When existence is only by texture thickly layered onto texture.
Elementals thrashing into spume.
Like peacock feathers in full bloom.
Lipstick spit; nylon dipped; hot wax dripped; cityscape stripped
To the teeth bared back.
Lens flare headlights and growling exhaust pipes.
Copper eyes glinting out the dark.
Out in these lupine days just bright enough.
Everyone sticking onto everywhere from obsessional sweat.
Shirts peeled from surfaces, shoes fetishised in their purposes.
You hurt me just the right amount.
You know I'm your devout.
Seize me as a relic you possess.
Release is slow; every breath as ghosts.
My spine is a weeping tree: leaves may fall but branches remain.
Where you can't see my ribs for the vines laced good and tight.
Skeleton shows sharpened marks from flint.
Sharpened cutlass to slice through the all of it:
Purging flame; curse blowing hurricane; human detonating pain
Of a nuclear blast.
All consumed bones are getting exhumed.
Rake over ashes to see what's glinting out the dark.
I'm in these lupine days just bright enough. 
Time as Witness metamorphoses its final form of Time as Absence.
When existence is only folding matters into madness.
When my existence feels like texture.
When my existence feels like time running out.
You hurt me just the right amount.
Draw a chalk outline around what I adore.
When rain is passing, knocking on new town doors, 
And softening dirt to get the bodies out.
Ends tend not to be wrapped in bows, but in shrouds.



Thursday, 16 October 2025

The Sculptor (AKA: A commercial radio song)

 


This feels like an affinity piece to Hallucinogenic sister 

This is... The Sculptor (AKA: A commercial radio song)

Globules of morbs rolling off my form.
Organ pipes squeal and moan when fingers hit the keys.
Begging me onward: “harder".
Sabre for a spine, so everything en garde!
Sharpening strife from notes and notes from me.
My self-harmer, snake-hipped charmer.
With love of Pan, the sculptor
Gazed upon this work and put down the hammer.
No one could agree on what the shape was meant to be.
For all eyes on it, the shape was different.
For all hands on it, the shape was different
Didn't understand the shape
was too painfully beautiful to behold.

This shape doesn't do this emptiness justice.
Trying to form it from the waste is:
The non-existent past. The dust.
Cotton that grows cold.

Gravity pulls            out in waves.
Months stretch like years to get this way.
Nothing more moths vomiting mulch from decay.
Trying to shape this elemental absence from you.
Feelings poisoning ground wherever Time once grew.
Bloodied mind writhing tied to late summer vines.
Body crackling like crisped, frosted fallen leaves.
Imploding with a pressure of a thousand seas.
Keep centering to a centre that cannot hold.
A shifting shape I cannot mold.
A shape to lay with.
A shape to fall
down
the
cracks with.
An added line.
To slip in between.
A shape to be with, to be there
in the depths of despair of yours and mine.
A shape that fits the puzzle, a piece shaped universally.
A shape that recognises
shapes no one else can see.

A shape that dispels noise with resonating music.
This pipe organ keeps sounding out the notes.
Throwing anything overboard that floats.
The chords, jagged like river rapids.
Heart of meat, the wolves can have it.
It's the plasm spirit that I don't want ripped asunder.
So I hit the resin keys harder to try to hear the echo and wonder
If you are aware I still try to play the harmonics I hear in thunder.

Sweat rolls down off the coffin.
Pallbearers squeal and moan with each step of the carry.
Begging me on: "How much can you take?"
Jaw like a vice, only clenched when awake.
The shape, a shadow from the lashing flame.
What shape is heat and cast-off light?
Some believed the shape must have inner sculpting.
Cogs to be swapped: one for another or another.
Others said the shape was at once each of the four seasons.
Within it there must be moons of orbital gardens.
Flowers in full bloom or withered by shade.
Perfection made an ecosystem in constant imperfection.
Spirits for botanicals.
Such was the sculptor's marvels.
But they couldn't understand.
The shape and them are contortions held in perfect suspension.
Between loss and lost clinched in macabre shaped occasion.




Thursday, 31 July 2025

A summer evening's garden

 



This is... A summer evening's garden

A fox in twilight on summer evening prowl.
Moving like a half-light memory I have winding
In an evening summer garden.
Under art nouveau leaves.
Brushing through angel feather willow trees.
And palette popping colour petals.
Rows of can-can skirt dancers.
Embrace of tight go-go-dancers.
Peacocking barroom romancers.
Sliding oil bubbles floating across and bursting like
Prism tear drops scattered.
And compound fractures.
The apple white flesh of a living branch half-snapped
Skin holding on, sinews bent but intact.
Chlorophyl keeps photosynthesising.
You say it's nature but I say it's misery.
Where I lie still as the fox steps over me with its kill.



Thursday, 17 July 2025

Nylon flowers

 


This is... Nylon Flowers

Nothing blossoms in this garden.
It's without a cradle into the clouds' bosom.
Lacks lightness of being sparkling above water surface tension.
Under the weight of this dense earth forces evolution.
Stems of wire.
Lace bowed into posed leaves.
Nylon flowers.
So yet we bloom, of course, of sorts.



Thursday, 19 June 2025

Torture back garden




This is... Torture back garden

I read in the latest Lady's Flora Gazette
Plant life know when they are being eaten.
"I am being eaten"
Fucking Hell.
They say to the other plants around them:
"I am being eaten"
Fuck Me.
To warn them the latex sheen bug is taking bites.
"Assume the brace position"
My God.
You may still be identifiable by your thorns.
I read in a botanist research paper
Plant life count bees as a concept of time.
"It is time again"
Jesus, yes.
They listen out for the buzz-buzz-buzz-buzz
"It is time again"
Holy fuck.
Recognising the individual style of sting.
"Assume the brace position"
My God.
Count the blessings for the bee and the whip.





Friday, 13 June 2025

Sermon from the Priest Of Crows' Beady Eyed Pulpit

 


This is... Sermon from the Priest Of Crows' Beady Eyed Pulpit




Come and suffer.
Come where there is no lyrical dealing in faith.
Come where there is no offering of uplifting hope.
Come where there is no lesson, no matter you need to be taught.
Come where there you are seen: glorious and tragic.
 
The beady eye from the pulpit sees you: tied to the stake.
When ideologue flames meet you, let them know you'd rather burn through
Crucifixions, auto-eroticisms.
Only you can ever be you.
Wherever you are travelled.
You're going to get travelsick.
 
The beady eye from the pulpit watches you: message in a sea-glass.
Wishing letters could be bottled up, tossed into colourless tumult.
But the current always pushes back to shore.
Only you can ever contain you.
Always near sinking below
horizon's sight.
 
The beady eye from the pulpit views you: beautiful as liminal space.
Sighs emptiness between words not more than uttered.
Lovers, saucer-eyed, under the same moon phase in a countryside
A mass of land between.
Raspings of the rushes
A reminder of the distance.
 
The beady eye from the pulpit recognises you: duality of man.
Uncanny out of body sensation: the feeling of magic before you knew the trick of it,
yet present as steel between a hammer and an anvil.
Only you can ever be you.
On instamatic film: it was once all real.
Layers of flesh, Ruby gemstone, bone-shells, crushed hormonal states of mind.
 
The beady eye from the pulpit waters for you: demigod.
Mankind worships only what it sees itself in.
Acts for a purpose it can't say what it believes in.
In the atomic light a steady beady eye can make out self-destruction.
Even on Sundays meant for heads to shake at sin in.
 
The beady eye from the pulpit stares at you: wild with your bounty.
Foaming and dissolving clouds, texture of time.
All the while taking liberties with your crops and berries,
You are taking up the prognosis with the doctor at the bedside.
Discussing costs of being turned on by pump and valve machine.
Eating warm peaches out the bowl.
 
The beady eye from the pulpit sees you: as you intended.
In pursuit of relativity: mixture of passion and vulnerability.
Existing to push molecules around. 
Only you can ever move you.
A beautiful curiosity; Flowering like a galaxy.
A spectrum of consequence in fuck-up-ability.





Saturday, 19 April 2025

Hallucinogenic sister



This is... Hallucinogenic sister


Hallucinogenic sister.
The Beatles got a ticket to ride the helter-skelter.
But it was you who sent me spiraling.
We sat on a mushroom together.
It's where you did all my rewiring.
I never 
knew I wasn't free.
Until you turned the key.
Look what you made me do.
Got me talking in cliche.

Created with a lyrical intensity
To survive in the spite of oceans of pressure.
Gears cranked by great cogs in the bleak whatever.
You were right: diamonds are more than density.
Look what you made me do.
Got me believing 
Got me believing talking people could be dead.
Got me believing they could be alien abducted.
Got me believing I could be wanted.
Got me believing not all madness is insane.
Got me believing not everything comes with pain.

Where have you gone?
I went to watch the wood-chip walls fall.
You were right: there was no physics behind it all.
The knocking was in my head, all along.
Look what you made me do.
Got me talking cosmic mundanity.

Where have you gone?
I went to see Venus on the half-shell.
You were right: it was not the painting, but a novel.
The devil is always in the detail.
Look what you made me do.
Got  me questioning my reality.

You screwed me apart, you screwed me back together.
Transfused neon gas for my bloodstream so I'd be modern-noir.
Showed my heaven is hell: 
Showed a curtain call to an actor in a theatre of war.
Showed in this hotel there is always a caretaker.

Where have you gone?
The fading light is the same.
But the oncoming night is not quite the same.
My typewriter still licks out one letter at a time
But the ink from the ribbon is not quite the same.
Gravity strings hold our places, still somewhat entwined
Just the stars are not quite so aligned.
And that's OK, it's alright, it's fine that you got me sad.



Monday, 14 April 2025

Greville and the Tombstones' tribute to William "Topaz" McGonagall

 




This is...
Greville and the Tombstones' tribute to William "Topaz" McGonagall

Dolly Parton spent one day writing both "I Will Always Love You" and "Jolene"
I spent whole day only writing this:

People living in 1809.
A world without the novel Frankenstein.
Dead before the movie.
Bones, home to moss and creeper vines.
They won't see the good in me.
They won't know how many times I'm bad.
They won't count how many lives I've had.

August 24th, 79 anno domini.
Was the last day, for the residents of Pompeii.
Cast across centuries, their agony.
Caught in crude plaster like a sculptor’s yard.
Like them, you left me charred.
Like them, my pain is visible, but not the tears I’ve cried.
Like them, I didn’t think a Sunday would be the day I died.

9/11....



Monday, 7 April 2025

I didn't know it until I looked at the receipt, but I've been living in a mass extinction event for a while

 




This is... I didn't know it until I looked at the receipt, but I've been living in a mass extinction event for a while


Steal myself against a 
mass extinction event.
Saucer eyes, 
Rung out cold war mornings.
Space rockets pierce the city-scape.
Glinting silver panels shaped into a future.
I wait for a Queen's thawing opinion.
I don't need forgiveness, just release.
Before I get used to this.
The past often repeats on me.
Oh no, I've used up another of my lifes.
I'm dealing with it pretty well, actually.
Reminding myself time is a pristine stream
Running over names like sun blanched seagrasses in the shallow bed.
Carving and wearing out second chances.
Like my meandering filthy tongue in my bird brained head.
I toss a rock in.
In attempt to some permanence.
Shimmering silver splashes up, like spooked bleak fish.
Then swim by as if it's nothing worth happening.
That's how I learnt it's not rocks; it's driftwoods carry on the current.
I found a folded receipt
of a moment spent.
Lying on the bed,
Rung out nightmare sweat.
The moment hit like a rock; receipt floated like driftwood.
Listening to the texture of constant falling acid rain.
I wait for a dream Queen fever to break.
I don't need mercy, just release.
Before I really get used to this.
Satanic panic attack.
I'm at ground zero percent.
Emotion spilling all over the place.
Slithering guts.
Rung out rags of blood.
Dropping grief like stones but the water is too shallow.
Creating reefs instead of sinking deep below.
I wait for a Queen's ship to sail.
I don't need saved, just release
Before I get much too used to this.
I don't need absolution.
I own everything I am.
I was created as perfect as only possible by man.
The reason I broke is because I'm brittle.
It's my poor language, not on you to understand.
It doesn't mean I'm not broken.
It doesn't mean I can't make you understand.
"I'm sorry. Sorry for whatever happened"
Doesn't cover the sadness of realisation.
It feels like a mass extinction.
It feels so lonely to be living in it.





Wednesday, 12 March 2025

This is not symbolic

 



This is not symbolic


[Sample of The End by The Doors]


This is not my bread. This is not my blood.
This yogurt is not pro-biotic.
This is not symbolic.
All that's high, is up. All that's down, is low.
Melancholy strokes a slow arpeggio.
Runs a bow across my body and listens for a sound.
Laments in last and wretched testaments, and other things it found.
Mercury in retrograde, I've used up all my lives.
I don't need a penny arcade to tell my luck is out.
All suffered. All endless.
All is tenuous which holds together beyond all science.
Cannot say I know not what I have done.
The results are all to see of what I've become.
All pulp. All writhing.
My mind, A captain's quarters on a Man of War.
All ebony wood. All creaks and groans.
Candle flames casting quivering shadows.
The scent of oxblood leather straps like a red rose.
Ink blot scraps of hidden treasure maps.
Memories rolled into scrolls, books with broken spinal words.
Gun barrel grey skull on writing desk.
Thoughts skulk in the domed recess.
Regrets and missteps slide across the drunken ground.
The crew say this ship is cursed.
"It'll never see land" "The waves come as fever"
"The captain has gone insane"
They don't know. Finding shore line is sometimes worse.
I navigate and set course for another seizure.
All shifting. All needless.
My flesh, soft for talons to sink in of the morbid bird.
Happily pecking at my sweet gloom.
I have plenty it can consume.
All instinct. All hunger.
I'm of nature.
Only sickly hearts flutter. Wolves lay down in packs.
A woodcutter just means they possess an axe.
A sky above is to cry under.
Once a rasping rage at the anxious, industrial grind
I find glorious ennui lit peachy sunshine.
All juice. All fibre.
My two-vices.
When a nun comes numb from faith,
She finds colour with devices to feel her anatomy.
When a necromancer needs to be central to disassociation.
She throws herself into occult occupation.
Incense burning to feel her mortality.
Angel and demon both claim self-sacrifices,
when they're always acting in self-destruction.
My two-selves.
Open-minded and paranoid, I perform seances in coffee houses
In attempts to talk to myselves.
God or monster, it doesn't matter.
When each at the same time is sublime and wrecking ball.
They say artists jump. They say fools fall.
I'd be foolish to say I don't know what I am at all.
All beauty. All agony.
All mine. All requiem.


[Sample of Eight Mile High by The Byrds]




Friday, 14 February 2025

The eaten heart

 


This is... The Eaten Heart


I missed you, so I put a Led Zeppelin record on to be reminded of you
Robert missed you, so he fucked God to be reminded of you.
I wanted to see you, so I climbed the mountain peak, then after,
Climbed clouds on compound fractures, to get a better view.
I had to talk to you, so I built a temple from my body's ruin.
Cracked, broken, chewed by desire.
I'm on fire; for you I'm Rizla paper thin.
An outlier; Alice, here's a wilderness to get lost in.
Devastator in chief, hold me tight, like fresh-cut grief.
Eat my heart. Tear off bites like I'm a sugar donut.
Like the Queen of Jam Tarts, let red jus flow from lips apart.
Eat my heart. Without it, I'll be alright.
Wild beasts in cruel lands feast on hearts by electric light.
Eat my heart. Swallow it whole and don't let blood splash your evening gown.
This world is a hole already swallowing me down.


Friday, 24 January 2025

This picture is a storm


 This is.... This picture is a storm


Light running off jaded surfaces.
Low notes tumbling on and on.
Leather rain drops on skin.
Tendu and sculpted silver lined limbs.
This storm a slow ballet, now whips.
Sensual, morbid clouds catch in shock.
Guts spilling.
Oil sleaze spittle drooling.
Moans distorting in twists and turns.
Talking in tongues. 
Portamento slurring 
Dragging contretemps
Bouncing, drenching spray.
Snarling attack dog at prey.
This storm becomes all consolation.
Porcelain ghosts in the cemetery.
A whorl wind of reminders buffet the stones 
In the eye the sublime of the meaningless.
The beauty of the blankness.
Like smudges on the picture of Dorian Grey,
Colour pops from tones of gloom.
Lines stretch way on to far off doom,
Drawn from flesh and bone,
Breathless curses, soaked.
But this onyx portrait is so very still-life, it is a mirror.
Brush strokes weights like a mourner's overcoat.
Lithe leg and heel steps out the frame.
Candle flames all blown out
This storm is a terror!




Wednesday, 4 December 2024

I am moth, rabbit, and possum




This is: I am moth, rabbit, and possum

Your love bites are hypodermic.
I am a doll for you to dismember.
Dis-articulate me, without resistance.
String me up tightly.
Make me your vision of beauty.
My love is vulnerability.
And it makes me a frightened rabbit.
Sometimes I am so vulnerable.
I need you to put me out of my misery.
Starve me in a Faraday cage.
I no longer want to transmit or receive.
Wants of others are treasures lost in seas.
I can reach them no more
Than the moth can reach the moon.
And believing you to be the celestial being,
Sometimes I am a moth caught by a flame.
I need you to put me out of my misery.
Out draw me at high noon.
Spill my thoughts into the dust.
Put me on my back.
I will play dead like a possum.
And let my imagination take over.
Sometimes I need no future or want no history.
I need you to put me out of my misery.








Friday, 22 November 2024

Something throwaway for teeny-boppers

 It feels like a while since I wrote a love song for the kids to get into.


This is...
Something throwaway for teeny-boppers


Seance wind knocks in the crow feathered night.
Rain drives with the sound of cracking joint bones.
There's an unlocked graveyard, where what is carried in claws back out.
Over dripped tombs; from upstairs bedrooms; mother will be home soon.
We are cells in the body of a being that is trying to understand its purpose.
Surrounded by shapeless sea: shifting points of compass.
Under bleeding edge moon; only landmarks are our wounds; howling in tune.
Let's share in something throwaway.
A sunrise screaming at seven octillion atoms; death in its present state.
Let's get together to do something throwaway.
Hold each other down and dare to eat the fruitful flesh; defy the sky for aging.
Let's go and be something throwaway.
A spool of imagery blurred from lens flares; part of a circulatory system.
There's a nightclub that exists at the end, named the Four Horsemen.
It sells single cigarettes, private dances for necromancers, green fairies by the hour glass
Inside, names and histories are throwaway.
The Four Horsemen know there's a limit to everything and that is the limit of
The Place we are in and the weather outside is raging.
Let's fuck in a life that's throwaway.






Friday, 20 September 2024

Romantasy

 

This is... Romantasy


Laying on top of sheets, like witch piled sticks.
Limbs placed around ritualistically.
Bound like the oath given by a lover's samurai.
 A place of allegory on which to slay the king.
Where dragons are known to dive,
hunting on the wing.
Needle over vinyl on brushed stereo HiFi.
RPM forty-five: "I'm straight I'm queer I'm bi."
There's no such thing as committing original sin.
It's all been done before.
Over ankles, wrists, elongating spills over the floor,
Winter sun runs shadows like cats.
Mint winter air pinking skin in natural habitats.
Like seasons, love is cyclical.
"Love the sinner not the sin", as if they're not reciprocal.
I love you both.
Sinners sinning.
Don't panic, not everything's satanic.
Like walking with a collar doesn't make you a dog.
Or a religious man.
Operating in a society of binary low-key aggression.
Where the weather is important.
Extreme conformation is aspiration.
Fucking... being a man's man is an occupation.
We suspend our belief system that this is living.
To run fingers over the frame of mass delusion.
That this is a scene to be seen in.
That we have armour that is glistening.
So we tie ourselves in sheets and knot the linen.
To be rid of sports leisure fashion.
From feeling these people are Martian.
From being afraid of nothing.
To lay sticky skin to sticky skin.
You and you and me and me.
Sinners Sinning.




Friday, 28 June 2024

Butterfly Exits The Head






You come like a musical note.
You come like the crackle of lit Cuban leaves.
You come like a stab somehow missing an artery.
You come like from a bygone era.
You come like burning sienna.

I beat like a pen on a love letter.
I beat like barefoot on floorboard timber.
I beat like the next sobbed movement of my heart.
I beat like a detonator counter.
I beat like a flicker of burning sienna.

We will fall to our heart-shaped knees.
We will spill over-flowing froth from coffee cups.
We will show our teeth behind full lips to those we want.
We will see God wet with rain.
We will be buried with burning sienna.

Your eyes like changing skies above me.
Your voice like May flowers in a beastly wilderness.
Your body like a river winding through this religious land.
Your lips like lights of home.
Your hair like burning sienna.

Can I squirm like a contented cat under you?
Can I share that across road eyelash glance with you?
Can I watch you dress and buckle your shoes for you?
Can I do anything for you?
Can I come to your burning sienna?